What is the function of racist stereotype in Blackface Minstrelsy? Essa

melanizeface troubadoursy became a popular form of entertainment in the early nineteenth century. Predominately, minstrel shows were performed to crowds of white working class men, by white actors who would use burn cork, or shoe polish to nigrifyen their skin and would create racist stereotyped characters of black people. These characters functioned to instill conceptions of white superiority into popular last whilst at the same time oppressing black society. The characters invented were often portrayed as childlike, unintelligent and dependent on the civilisation of white society in the form of slavery. By examining the changes that minstrelsy underwent during the nineteenth century, the function that the racist stereotypes performed will vex evident.Blackface minstrelsy was an established nineteenth century form of onstage entertainment approximately popular in the northern states of America which intentionally created exaggerated stereotypes of black people for prominent ly white working class male audiences . sporty performers would blacken their faces with burnt cork or black grease and perform skits, songs and dances and act out their image of black people. Rather than present an right depiction of African Americans and authentic portrayals of the qualities of negro life, minstrelsy reflected the ideas and conceptions of white society . The inwardness of the shows however was altered to create images of blacks and slaves that suited white northern globe opinion . White actors now had the opportunity to manipulate black personal identity and reinforce notions of white superiority, and by portraying blacks as uncivilised it strengthened the need for slavery. This white produced black identity served to reinforce racial differences, and all... ... Cain Blackface process from Jim Crow to Hip Hop. Massachusettes Havard College.Lott, E. (1993) Love and theft Blackface Minstrelsy and the American Working Class. saucy York Oxford University Pre ss.Pfeiffer, K. (2002) Race passing and American Individualism. Massachusettes University of Massachusetts Press.Pieterse , J. (1992) White on Black Images of Africa and Blacks in Western Popular Culture. London Yale University Press.Sussman, R. (2001) The Carnavalizing of race. New York Columbia University press.Toll, R. (1971) From Folktype to sort out Images of Slaves in Antebellum Minstrelsy . Indiana Indiana University press.Watkins, M. (1994) On the Real stance Laughing, Lying, and SignifyingThe Underground Tradition of African-American Humor that Transformed American Culture, from slaveholding to Richard Pryor. New York Oxford University Press.