Harold and Maude and The Book On The Taboo About Knowing Who You Are Es

Comparing the Movie, Harold and Maude and The discussion On The prohibited virtually Knowing Who You Are The suit Maude, in the scene Harold and Maude, lives a life congruent with the ideas Alan Watts expresses in The Book On The taboo About Knowing Who You Are. In his book, Watts explores the relationships between life, death, ego, and environment. Wattss purpose is not to language alone rather to let the book serve as a top of departure (11) for its readers. Maude also serves as the point of departure for the character Harold. infra Maudes guidance, Harold transforms from a depressed teenager ghost with death into a saucy, optimistic person. Maude, however, dies shortly thereafter because she cannot guide Harold for the rest of his life. Indeed she, wish well The Book, is barely a temporary medicine...not a perpetual point of root for Harold (11). both Maude and The Book are only starting places from which Harold and Wattss readers must gibe to make pea ce and understanding within themselves. Watts first addresses the issue of pietism. Although the destination of m each an(prenominal) religions is to lead followers to enlightenment, Watts believes that irrevocable give wayment to any religion is not only intellectual self-annihilation, it is a positive unfaith because it closes the mind to any natural vision of the world (11). People become so obsessed with their religion and convinced that it is the only true religion that they become device to new ideas and experiences. Instead of being incarcerating, religion should be enlightening. In the movie, Harold asks Maude if she prays to a god. Maude responds, commune? No. I communicate. Maude understands that it is restraining to blindly worship a god. By victimisation the word communicate, sh... ...ime in his life, Harold get alongs another person, Maude. When Harold tells Maude he lambs her, however, she tells him, Good. Now love some more. Now that Harold ha s found that capacity to love, he is able ext subvert his love beyond only Maude. He has also learned rough his senses he smells snow, feels the contours of wood, hears music, and sees the beauty of nature. Finally, Harold learns how to accept death. Instead of continually pretending to commit suicide to desensitize himself to death, Harold realizes that death is an inevitable part of the circle of life. At the end of the movie, Harold lives, while Maude dies, because he has not yet experienced life. distant Maude, Harold is and beginning to defy the taboos of society and find himself. Works CitedWatts, A. W. (1966). The Book On the restrict Against Knowing Who You Are. New York Vintage Books Harold and Maude and The Book On The Taboo About Knowing Who You Are EsComparing the Movie, Harold and Maude and The Book On The Taboo About Knowing Who You Are The character Maude, in the movie Harold and Maude, lives a life congruent with the ideas Alan Watts expre sses in The Book On The Taboo About Knowing Who You Are. In his book, Watts explores the relationships between life, death, ego, and environment. Wattss purpose is not to lecture but rather to let the book serve as a point of departure (11) for its readers. Maude also serves as the point of departure for the character Harold. Under Maudes guidance, Harold transforms from a depressed teenager obsessed with death into a new, positive person. Maude, however, dies shortly thereafter because she cannot guide Harold for the rest of his life. Indeed she, like The Book, is merely a temporary medicine...not a perpetual point of reference for Harold (11). Both Maude and The Book are only starting places from which Harold and Wattss readers must learn to achieve peace and understanding within themselves. Watts first addresses the issue of religion. Although the goal of many religions is to lead followers to enlightenment, Watts believes that irrevocable commitment to any religion i s not only intellectual suicide, it is a positive unfaith because it closes the mind to any new vision of the world (11). People become so obsessed with their religion and convinced that it is the only true religion that they become blind to new ideas and experiences. Instead of being incarcerating, religion should be enlightening. In the movie, Harold asks Maude if she prays to a god. Maude responds, Pray? No. I communicate. Maude understands that it is restraining to blindly worship a god. By using the word communicate, sh... ...ime in his life, Harold loves another person, Maude. When Harold tells Maude he loves her, however, she tells him, Good. Now love some more. Now that Harold has found that capacity to love, he is able hightail it his love beyond only Maude. He has also learned about his senses he smells snow, feels the contours of wood, hears music, and sees the beauty of nature. Finally, Harold learns how to accept death. Instead of continually pretending t o commit suicide to desensitize himself to death, Harold realizes that death is an inevitable part of the circle of life. At the end of the movie, Harold lives, while Maude dies, because he has not yet experienced life. Unlike Maude, Harold is just beginning to defy the taboos of society and find himself. Works CitedWatts, A. W. (1966). The Book On the Taboo Against Knowing Who You Are. New York Vintage Books